Eduardo DaRosa
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Recent Posts

  • Moffett’s Artletter 2.0
  • DAROSA’S INVENTED GESTURE
  • ILLUSIONARY EXPRESSIONISM: IN TODAY’S WORLD. WHERE DOES ONE’S WORK FIT?
  • Large Powerful Works

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eduardodarosa
December 18, 2022December 19, 2022

Moffett’s Artletter 2.0

Eduardo Da Rosa “We Are All Cain Children” 1995, 94″ x 80″

Da Rosa creates human figures. They can be statuesque, but more usually they are twisted and contorted. They can indulge in athletics, dance or struggle. Some of them Continue reading →

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eduardodarosa
December 6, 2022December 19, 2022

DAROSA’S INVENTED GESTURE

Wind 60 x 42″ Bas-relief on Canvas

DAROSA’S INVENTED GESTURE

by Harold Kitner, Professor Emeritus Kent State University  (Artist, Critic, Art Historian)

Where does the world begin and where does it end?  Simply look for  the hands   Continue reading →

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eduardodarosa
November 6, 2022

ILLUSIONARY EXPRESSIONISM: IN TODAY’S WORLD. WHERE DOES ONE’S WORK FIT?

Fernando Pessoa 36 x 30″ Bas-relief / Canvas

ILLUSIONARY EXPRESSIONISM:

IN TODAY’S WORLD WHERE DOES ONE’S WORK FIT?

I am continuously trying to develop and improve my work, to bring originality and purpose to it.  Although I am aware of Continue reading →

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eduardodarosa
November 6, 2022November 6, 2022

Large Powerful Works

Article by Dr. Carol Damian

Large Powerful Works

The large powerful works of Eduardo daRosa speak of the human history of violence, ritual, and emotional response.  Through the symbols of everyday life, he paints tragedy and despair, but the Continue reading →

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